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#Post malone sunflower what is the theme movie#
And the soundtrack’s most recognizable song - which is featured heavily in the movie - is a beneficiary of that momentum. The animated, Miles Morales-starring film has already been thrust into debate as a candidate for the greatest comic book movie of all-time, while it’s still in theaters. In a year where Black Panther is vying a Best Picture Oscar and Infinity War is practically printing money, Spider-Verse is still the superior superhero movie of the three. First, of the six Spider-Man movies since 2002, Spider-Verse is the best. These are the songs that appeal to his target audience, and for good reason, as they stack up to his previous albums as well.įull of collaborations with some of today’s biggest artists like Young Thug, Meek Mill and Future, “Hollywood’s Bleeding” is just what one can expect from Post Malone: a crowd-pleasing autotune-fueled journey that nevertheless feels deeper the more you listen.There are some indisputable facts regarding this year’s Spider-Man: Into the Spider-Verse. Perhaps it’s this blend of melancholy and surreal sounds that make Post Malone the star that he is to us all. Other songs that further this point with melancholy moods to match are “Internet” and “Take What You Want,” which point out how he feels the life being sucked out of him in his relationships. lifestyle with his music that makes it unique.Īptly titled “Hollywood’s Bleeding,” the title track shows how the city, drugs, people and lifestyle can suck the life out of celebrities.
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This is a common theme among most rappers, but it’s the way in which Malone comments on the L.A. However, this comes at the price of friendship, with Malone brooding over having to cut ties with those who only stay close with him for his money. “Saint-Tropez” and “Enemies” highlight this fact, as his lyrics describe how, as a famous singer, he can adorn himself in whatever he pleases. With the first three songs kicking off the album, it is clear that Malone is aware of the effect fame and fortune can have on people. The lyrics of these first two songs blend the story of a doomed relationship with an upbeat melody, making for an interesting mix and adding depth to the album. These songs stuck with me because of how different they were in tone and style from the rest of the album. Some of the songs that stood out to me as a listener were “Allergic,” “A Thousand Bad Times” and “I’m Gonna Be,” as each of these had a sound that followed the style of Sunflower. It was only fitting that it was included in “Hollywood’s Bleeding.” “Sunflower” drew in listeners and had fans singing along around the world. Sunflower’s deep lyrics and simple but melodious composition represented the antithesis to all my preconceptions of Malone as an artist. Late October 2018 was when I really noticed Malone’s music, after hearing “Sunflower” from the “Spiderman: Into the Spider-Verse” soundtrack. This trend only continues through his newest album in some of the best ways. With my first listen through Malone’s sophomore album, “Beerbongs & Bentleys,” I found that I was drawn in by Malone’s grasp of blending autotune with his natural voice to make earworms. Regardless, I commend Malone for his musical talent, as he’s able to make tunes and rhymes that can draw the attention of unlikely listeners like myself. The new school year launched alongside one of the biggest albums of the year, Post Malone’s “Hollywood’s Bleeding.” However, as a fan of jazz, 60s rock and alt-rock, I was probably the person least equipped for reviewing Post Malone’s latest release.